We publish management and reporting software designed for cultural productions: it is built around the project, the budget line and freelance crews.
We work with producers, production managers and production administrators. The software speaks the language of the sector.
Designed, built and hosted in France, with support in French or English at hours that fit productions.
The development and sector rollout of maG are supported by the CNC (French national film centre), Bpifrance and the European Union.
We help you fit maG into the way you work, so the change lasts.
maG grew out of hands-on experience, alongside crews and their needs. Here are the people who lead each area.
Founder and director
Finance director in film production for more than fifteen years, she built maG as the tool she had always wanted for her profession. Member of the DFCG, Réseau Entreprendre laureate.
Head of product
She turns the realities of a set and of production administration into a simple, intuitive, immediately accessible experience.
Technical director
He builds a reliable service hosted in France that keeps regulatory compliance light in everyday use.
Head of customer success
She supports teams from the first configuration through to funder reporting, and brings the field back into the product.
Lead developer
He leads the day-to-day development of maG, from approval flows to accounting exports, with the technical team.
We sit on or belong to the French organisations that shape production professions, and to the one that brings together French software publishers: a management tool is designed with its industry and built to the standards of software publishing.
Member of Numeum, the French software publishers' association, and committed to the organisations that shape the industry: CST, DFCG, Ecoprod, CUT!, Les Toiles Vertes, CCI Paris Île-de-France and Réseau Entreprendre.
A cultural production lives with crews that change on every project, budgets that move every day and funders who expect clear reporting. It calls for a tool shaped around the project rather than around a fixed chart of accounts.
That is what we build: a tool where every euro is tied to its project and its budget line from the moment it is spent, and where the set and the production office work on the same data. We call it going into colour.